12:39pm December 27, 2012

Chief Keef’s Sales, Gun Talks, Autism and Rebel Rap


Is Chief Keef worth the hype? Critics and commentators wonder if Interscope’s multi-million dollar investment in the 17-year-old gangster rapper from Chicago was worth it in sales.  His recent album, Finally Rich, sold a projected 55,000 units in the first week.

Some question the Internet-to-radio rapper’s staying power and timing. As celebrities use YouTube to advocate for gun reform in light of national massacres, some ask if it is appropriate to support the rapper whose rhymes range from menacing to misogynistic to materialistic.

What about the rapper’s ascension through the world wide web? It could appear that the medium that brought Keef fame, and to some infamy, didn’t convert viewing histories into deeper pockets.

At press time Googling Chief Keef returned 36 million results in less than a quarter of a second. The New York Times recently profiled the rapper, who has more than 450,000 Twitter followers. Keef is a big deal in certain younger circles.

Spin Magazine’s Jordan Sargent wrote about Keef’s youth and blatant tendencies. Sargent said that the teen “writes for, and thrives within, a generation that uses ALL-CAPS phrases as emblems on social-media sites, but that’s not to say that he shuts out anyone who can legally buy a drink.”

The rapper became better known because of his summertime “manthem”, “I Don’t Like.” Keef’s song featured hip-hop heavyweights, Pusha T, Jadakiss and fellow Chicagoan, Kanye West.

Keef’s rhymes convey troubling messages; however, the teen also has universal moments (read: giddiness). In an interview, Keef, who is often awkward, lit up when discussing Kanye West’s appearance on “I Don’t Like.”  West’s usage of a Keef rap ad-lib, “bang-bang”,  added to the teen’s seeming elation.

What’s now joyful for Keef is uncomfortable for some others. They wonder if he speaks his truth, capitalizes on urban dysfunction or both.

Then there’s an icy tactlessness that further intensifies the debate. Keef took considerable criticism this fall when a tweet posted from his Twitter page mocked a slain rival rapper. Keef later said his account was hacked.

Many in the hip-hop community inquired about his functionality. Is he at fault for off-putting behavior when he is internally stymied? Keef has Asperger’s Syndrome, a pervasive developmental disorder that stifles socialization and communication skills. This type of autism can also stunt imagination.

Even so, what if the bang-bang performance is overdone? Gangster rap and violent culture aren’t new, but they are especially painful when murdered 7-year-olds predominate the nightly news. Lackluster initial support of Finally Rich could be consumers’ way of saying, “Too soon.”

Maybe consumers sided with Chicago native and rapper Lupe Fiasco. Fiasco said, “Chief Keef scares me. Not him specifically, but just the culture that he represents….”

Keef is a young black man from a struggling area. His experiences bring a magnifying glass to a city of limitless possibility, (First Lady Michelle Obama) and systemic poverty. That spectrum is America.

As everybody, from legislators to culture critics to kids watching YouTube on their smartphones, grapples with a nation reeling from violence, masses have power.

Art speaks to society. Modern culture allows Lupe Fiascos. It also permits Keefs and younger performers of a similar ilk. Thirteen-year-old rapper Lil’ Mouse spits rhymes as dangerous, propagandistic and unfit for printing in this publication, as rappers thrice his age. In response to the attention, Mouse tweeted a hashtag about the copious cash he supposedly gets. #hellabandz Keef’s money-centric tweets are similar to Mouse’s.

Although gun talks continue, so should economic conversations, as society faces the music that tells on its culture. In the pre-9/11, pre-housing bubble and pre-recession year 2000, a 13-year-old performer named Lil’ Bow Wow rapped about impressing girls, puppy love and going on dates to Six Flags.

When a 17-year-old in 2012 rapped about cocaine, informants and gang life, to obtain his version of the American Dream, time will tell who listened.


About the Author

Imani Jackson
Imani Jackson
Imani Jackson is a journalist and FAMU College of Law student with social commentary and/or news stories published on HBCU Digest, Clutch Magazine, the Daily American newspaper in Somerset, Pa, and the Journal of Blacks in Higher Education.



Walmart Wage Increase Likely to Start New Trend Toward Pay Equity

Better schedules, more training, and a wage increase up to $10.00 per hour – that’s what Walmart workers can expect beginning on April 1. Last month, the world’s largest retailer announced that it was raising...
by Kristal High


Protecting and Advancing Florida’s Position as a Technology Leader

By David Grain, Founder and Managing Partner, Grain Management, LLC In the aftermath of the Federal Communications Commission’s (FCC) historic vote on net neutrality, policymakers in Washington will continue to debate how to ...
by Guest Contributor


Open Carry Gun Laws Won’t Work for Black People Until Racial Bias Abates

Earlier this year, video went viral of a 62-year-old Black grandfather being chocked and tackled by three White men in Florida, an open carry gun state, after one of them saw a gun in his waistband and assumed he was a criminal...
by Brandon Patterson



An Open Letter from a Black Man to the Muslim Community

Dear Muslim Americans, I stand with you. I hear you and I stand with you because I know. I know what it’s like to feel rejected, to be hated.  I know what it’s like to feel unsafe, like a target.  To wonder if you or some...
by Brandon Patterson


Even Kendrick Lamar’s View of Black Respectability is Problematic

Let me preface this by saying Kendrick Lamar is incredibly talented and is easily one of the realest dudes in hip hop right now. That said, I’m still not here for his respectability politics on “The Blacker the Berr...
by Brandon Patterson



  1. [...] Chief Keef's Sales, Gun Talks, Autism and Rebel Rap Although gun talks continue, so may very well economic conversations, as society faces the music that tells on their culture. In the pre-9/11, pre-housing bubble and pre-recession year 2000, a 13-year-old performer named Lil' Bow Wow rapped about impressing … Read more on Politic365 [...]

  2. [...] response to the attention, Mouse tweeted a hashtag about the copious cash he supposedly gets. #hellabandz Keef’s money-centric tweets are similar to [...]

  3. Just stfu please. using hearsay dosent make your article any more factual.

  4. Chief Keef is the most Garbage rapper ever, and thank GOD no one bought it.

  5. You see all that popularity and being kool on YOUTUBE and WORLDSTAR paying for video plays and reaching well over 3-15million just in views don’t mean nothing in this industry…Those are all FREE worse to expose yourself which make the public lazy on purchasing your music and you flop with a dud of 50k in album sales….so sad that this kid Chief Keef Flopped his first time around….In other words keep the outlet to a minimal get your name known but don’t be seen or heard so much for FREE via youtube or worldstar etc…That way fans don’t have a choice but to purchase your music and just do promo, flyers, posters on the street…STICK TO DA OLD MARKETING SCRIPT dat new facebook, youtube, google bullshit just don’t WORK Mannnnn…Kandy Paint Records is INDEPENDENT and if we sell 50k in sales all 500,000 comes to ME. dig dat! 50k x 10 = $500,000 on a INDEPENDENT level. DIG DAT!

  6. Personally, I like Keef, its just sad to see that someone near my age has to resort to reusing mixtape songs on an album because of his image. He has placed himself in a genre of music that will not support his violent themes as America continues to reform itself. There will always be time for “bang-bang” just not in your home country against your fellow citizens.

  7. Who gives a uck? None of the mass shooters listen to Keef

  8. Keef recorded “I don’t like” and then it was remixed by Kanye West.

  9. Keef is supported by a yOung following that is enthralled by him but is used to being able to see and hear him absolutely free. Some artist may have to except YouTube as their medium and cultivate that. Also the record companies may have jumped too ssoon …..but I still think theres something there. Alot of big artist attached them selves to chief keef. he needs to do that more cuzz when people see their favorite artist believing in him they will too

  10. Man loca Sosa 3gonna fuck Amundsen wHo don’t like chief keef

Leave a Reply

Your email address will not be published. Required fields are marked *

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>